Two tools, both about what happens to a sound over time. One stretches it, one erases it and keeps the harmony.
Turn thirty seconds of anything into hours of ambience.
Feed it a field recording, a guitar take, a voice memo. Reverie stretches it into an ambient bed that keeps moving: extreme time stretching and spectral processing, twenty factory presets, and a Pro mode where you build the chain yourself from 37 DSP modules.
Make a pad out of the track itself.
A spectral effect that keeps the harmony of a sound and lets go of its timing. Put it on a track and turn one knob: the drums stop hitting, the chord keeps ringing, and the pad it leaves is always in key. A cinematic bed made of the cue itself, an intro, or an ambient version of a finished track.
