Spectral effect · VST3 · AU · AAX · macOS · Windows
One licence, both platforms · hear it on a loop
75 % · The harmony of the last few seconds, hovering.
Listen
Press play, then switch between the dry and the preset. The track keeps running, so the ear compares the same bar.
Echoes of the Past
1 min · dry
The track, untouched.
The controls
At 25 % the attacks are gone and the groove is a memory. At 100 % only the persistent lines remain. Turn it: the line below says where you are.
75 % · The harmony of the last few seconds, hovering.
Pulsation
A slow, irregular swell, never twice the same. It keeps a long bed alive.
Shimmer
The octave above, grown inside the pad, so it stays in key.
Mix
Dry to wet, always in time with the track. Fully wet for a pad on its own track; 35 to 60 % to sit it under the track it comes from.
A low cut keeps the pad out of the way of the bass, a high cut takes the air off it. The track itself is never filtered. Drag the two handles on the graph.
Eight starting points, from a light blur behind the loop to a cloud far away. Save your own: they show up in VST3, AU and AAX alike. Every knob learns a MIDI controller with a right-click.
What it is not
Not a reverb
No room and no tail that decays. Stop the music and the pad swells a moment longer, then goes out on its own.
Not a delay
Nothing repeats. There is no echo and no rhythm of its own.
Not a freeze
Nothing is held. When the chords change, the pad changes with them.
Not a stretcher
Nothing gets longer. The song keeps its length and its place on the timeline.
Not a synth
Nothing is tracked or triggered. The pad is the sound's own partials, so it cannot play a wrong note.
What it is for
For film and game composers, for producers, and for anyone playing live through a send.
The Wings preset, at 40 %: the pad sits under the mix and follows the chords. On a master it fills the space between the hits with the song's own harmony. A cinematic version of a cue in a minute.
Automate the knob up over the last bar and the drums dissolve into the chord. Bounce the first phrase for an intro that already knows the song, or the whole record for an ambient version.
A guitar chord, a vocal line or a field recording at full knob with Shimmer becomes a held cloud, one octave wide, made of its own partials. On a send, it plays behind you live.
How the spectral effect works
The spread only goes forward: a note starts when it is played and its harmony blooms after it. Stop the music and the pad keeps rising for almost three seconds, then it goes out.
What rings on continues; what hits is let go. No attack comes through as an attack.
The notes that stand out stay, the noise under them goes. It works the same on a quiet stem and on a loud master.
Each moment is smeared over the seconds that follow it, a reverb's convolution with no decay.
From 75 % a second stage spreads the result once more. At full knob only the persistent lines are left.
One purchase
$39
$29
Launch price · $39 after launch
Key and installers by email within a minute.
The demo is the full plug-in: try it first.
Questions
VST3, AU and AAX on macOS, VST3 and AAX on Windows, 64-bit throughout. The AAX version is supported in Pro Tools 2025.6 or later. There is no VST2 build.
The effect has to hear a moment of the track before it can spread it: around 300 ms, or 170 ms in Short mode. Your DAW compensates for it, so everything stays in time. For live playing, put it on a send and use Short.
Nothing but two seconds of silence at the end of every minute. Every control, preset and format works, for as long as you like.
No account and no internet needed. Open Settings (the logo), enter the email of your purchase and paste the key. Keep the key with your backups: it is your proof of purchase.
Write to info@parallel-minds.studio from the email address of your order and we resend it, within two working days at most and usually much sooner.
Yes. With the same settings, two bounces of the same session are the same, Pulsation included.
Your sound is not affected: only the window needs Microsoft WebView2, a free component that Windows 11 already includes and the installer adds when the computer is online. Without internet, download the "Evergreen Standalone Installer" (x64) from developer.microsoft.com/microsoft-edge/webview2 on any computer, run it on the studio machine, then reopen the Atavism window.
Your sound is not affected. Install Atavism 1.1.1 or later, which shows the window on every macOS 11; the plug-in offers the update itself when it is online.
macOS: run Uninstall Atavism.command in /Library/Documentation/Atavism. Windows: Settings → Apps → Atavism → Uninstall. Both keep your key and your presets, so a later reinstall finds the plug-in already activated; the macOS script offers to remove them too.
